Following the Government announcement yesterday, museums and galleries in Cambridge will be closed to the public as part of a period of national/local restrictions. So, with great sadness, we will not be able to reopen as planned on 2 January 2021.
'The Osiris, King of Upper and Lower Egypt, Lord of the Two Lands... Son of Re, Beloved of the gods, Lord of Crowns, Ramesses, Ruler of Iunu...You are a god.'
These words are inscribed in hieroglyphs around the edge of this seven-ton slab of red granite, which once sealed the coffin of the great Egyptian King Ramesses III. It was transported to England in the early nineteenth century by the intrepid Italian adventurer Giovanni ‘The Great’ Belzoni.
The inscription addresses Ramesses as ‘the Osiris', and hails him as a god. It was believed that when Egyptian kings died they became Osiris, the powerful deity associated with death, resurrection and fertility. This god usually appears in Egyptian art mummified, holding a flail and crook in his crossed arms, and with a long, narrow, curled beard – we see him thus on a painted coffin in the Fitzwilliam, left [E.64.1996]. And it is in this form that Ramesses himself appears in the centre of his coffin lid.
His kingship is attested by the uraeus – the rearing cobra – on his forehead, and the tall crown comprising ostrich feathers, the sun disc and ram’s horns. These last two symbols associate him with the sun god Re, whose son the inscription proclaims him to be. The name Ramesses itself literally means ‘Born of Re'.
On either side, two goddesses put protective arms around the king. On the right as we look at the sculpture is Isis, the sister and wife of Osiris, recognisable by the hieroglyphic sign for ‘throne’ upon her head. Isis was the mother of Horus – the god with whom the living king was identified. A small bronze sculpture dating from between 715 and 525 BCE in the Fitzwilliam, right [E.122.1954], depicts this divine mother and son.
Opposite Isis is her sister Nephthys, who wears a hieroglyphic sign meaning ‘mistress of the palace’ on her head. She was the wife of the evil god Seth and mother of the jackal-headed Anubis, through a union with Osiris. She stands here upon the hieroglyphic symbol for ‘gold', detail right.
Between the goddesses and Ramesses are four snakes, two of which have female bodies and heads. These snake-women, who probably represent the goddesses Nekhbet and Wadjet, raise their hands in adoration of the dead king.
Though feared for their poison, snakes were also revered in ancient Egypt, and the fact that they regenerated their skins led to their being thought of as eternal beings. The snake provided an example from nature for the Egyptian belief in life after death. Another snake is carved all the way around the edge of the coffin lid alongside the inscription. This symbol – called the ouroboros – adds further protection for Ramesses.
The coffin lid as a whole is in the shape of a cartouche, the oval ring that enclosed the royal names of the Egyptian king. The cartouche was itself a hieroglyph, representing a length of rope with the ends knotted together at one end of the oval. This symbolised the circuit of the sun around the universe and implied that the king was master of everything within it.
The overwhelming themes of this huge carving, then, are resurrection, eternity and protection. Ramesses is the son of the sun, who dies at night only to rise again in the morning. He is Osiris, whose dismembered body was reassembled by his sister Isis. And he is protected by Isis and Nephthys and snakes, which live forever.
His reign on earth may be over, but the lid of his coffin suggests that Ramesses III is in fact more powerful than ever.
Sarcophagus lid of Ramesses III
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Associated department: Antiquities